Pledge & Turn

… and, of course, “Prestige.”

(Thank god for that. Leaving it out makes me feel like I want to sneeze.)

And the prestige is, of course, MAGIC: AN ANTHOLOGY OF THE ESOTERIC & ARCANE

Watch closely…

Pretty, isn’t she? And it’s not just the cover that’s pretty: the interior design is also gorgeous, making this one of the nicest-looking anthologies I’ve seen. And I’m not just saying that because I’m biased. Promise.

MAGIC is released this week, with a special launch event at Foyles in Charing Cross Road, London, featuring Audrey Niffenegger, Sophia McDougall and Dan Abnett in conversation with editor Jon Oliver. It’s a free event, but it’s not a bad idea to reserve a space via the Foyles Events site.

If you were at FantasyCon in Brighton this year and swung by the reading room on the Friday evening, you may well have heard either me or Will Hill reading our stories from the book. The theme was, unsurprisingly, “magic” but the brief was specifically for something new; something that looked away from traditional witches and wizards… and judging by the finished anthology, every single contributor took that to heart.

My story, “Bottom Line” is about a man who works in a magic shop; a man who would do well to avoid magic altogether… not that it stops him.

I can still remember the look on his face when I asked for a job. He was sitting at the counter, stringing cards onto wire for the window display. He put the wire down, and he looked me dead in the eyes and said, “Donnie. Of all the places in the world, with your history, why in God’s name would you want to work in a magic shop?”

He had a point. You don’t send an alcoholic to work in a distillery, do you? But that’s just it. There’s magic and there’s magic. There’s tricks and illusions and sleight of hand… and there’s what I do. What I did.

“Bottom Line” is a story about addiction and regret and – maybe – redemption. I’m very proud of it, and it was one of those stories I was sad to leave. I liked Donnie, and I hope you do too.

It’s a pleasure and an honour to be included in this anthology: the line-up is beyond intimidating (if you’re me, anyway) and includes Audrey Niffenegger, Will Hill, Rob Shearman, Alison Littlewood, Sophia McDougall and Sarah Lotz as well as many other people. And muggins here.

You can order online (Amazon UK & US) or pick up a copy at Foyles on Wednesday evening. As well as the official participants of the event, several other contributors will be there to sign copies if you’d like your book scribbled on! There will be ebooks, too, the links for which I’ll add once I’ve dragged them out of the lower recesses of the internet.

If you’re in London this week, come along and help us launch this fantastic book; come and say hi. And if you can’t make it, not to worry: with a line-up like that, there’s bound to be something in this anthology which will enchant you…

 

Join the rebellion…

This won’t be news to most, admittedly, but it still makes me happy.

I’m delighted to announce that Solaris Books have picked up the follow-up to BLOOD & FEATHERS.

The next book: BLOOD & FEATHERS: REBELLION will be published in August 2013.

The full press release is over on the Solaris blog.

So, um, yeah.

Am I happy-dancing?

Just a bit…

The Blurbs

I’ve not talked about the blurbs we’ve had in for BLOOD & FEATHERS yet – mainly because I can’t quite believe them and have to stop and pinch myself every time I start. But I figure I’m going to have to stop pinching soon, because my arm’s getting kind of sore, so.

Anyway, for your very delectation, here they are – and I’m so grateful to all the lovely people who took the time to read the book and to give us a few words…

“A hell of a ride, but heaven to read: eerie, compelling and very funny.” -Michael Marshall Smith

“It’s a challenge to take concepts older than the calendar and make them seem new. Louise Morgan has done just that. How to describe this, her debut novel?  Bloody Heavenly!”- Guy Adams

“Dark, enticing and so sharp the pages could cut you, Blood and Feathers is a must-read for any fan of the genre.”- Sarah Pinborough

“A storming debut! Lou Morgan writes with confidence, style and verve. Who would have thought that going to Hell could be so much fun? A must read.”  - Mike Shevdon

“Dark, surreal and wickedly funny, Lou Morgan’s reimagining of the war between Heaven and Hell mixes angels, alcohol and ammunition to serve up a joy of a read.” - Tom Pollock

Fresh Hell

My eyes are bleeding. My head hurts, and I’ve spent much of the last two days trying to deal with the toe-curling embarrassment of knowing that at least one person has already read my book*, and that they’ve been paying close attention. Very, very close attention.

Yes, I’ve just finished the first pass of my line edit on “Blood & Feathers”.

Things I have learned: firstly, that I use too many words (like that’s a surprise to any of us).

Secondly, that I create elaborate back stories for stuff which I don’t actually mention on the page, but which I expect everyone to know, because they’re in my head and therefore Must Be A Universally Acknowledged Truth (ooh, and second-and-a-half-ly, trying to say “an universally” makes you feel and sound like a numpty).

And thirdly, that my editor, Jon Oliver is a saint, whose quiet comments in the margins are terribly sensible and clever, and manage not to roll their eyes and tell me to go stand in the corner. He’s taken the thing I wrote, and he’s poked it, threatened it (politely, of course: Jon is nothing if not well-mannered) and made it behave itself; turning it into something I can be really proud of.

And that, if you ask me, is worth the bleeding eyes..

*I suspect this is a reaction I’m going to have to get past, and hopefully a very pleasant occupational hazard I should get used to…

Ego, Ego, Ego

One of my mad-dash self-pimping posts, this. If you’re averse to the odd spot of self-promotion and shoes with goldfish in the heels* then this is probably the time to look away…

If you’re still here, that’s good. This was worth sticking around for.

Last week, Solaris announced the line-up for their autumn anthology (you might well have read “End of the Line” or “House of Fear”, which were released in 2010 and 2011 respectively). This year, the theme – and the title – is Magic.

Full details including the line-up are on the Solaris blog, and if you look carefully, you’ll see that the “and others” includes, umm, me.

I can’t even begin to explain how excited I am about being involved in this: quite apart from the fact that so many of the people on that list are authors I admire hugely, Audrey Niffenegger is the kind of name that makes my jaw go from here ^ to here _.

The Time Traveler’s Wife is one of my favourite books (because I am a girl and in love with Henry, even though he’s an idiot for most of the book, yes, I know, don’t even try.) and so for me, this is a very, very big deal.

Random other pimpening: I’ll be turning up at the SFX Weekender coming up next weekend – I won’t be doing anything other than mooching around and enjoying myself, hopefully, but there’s a good chance I’ll be lurking around the Rebellion / Solaris & Abaddon crew at least some of the time so if you spot me, come and say hello! You can even ask about the fish.

I’ll be at a couple of conventions this year, attempting to sound intelligent… or at the very least, to smile nicely while failing to sound intelligent.

You can catch me at AltFiction in Leicester (April 14th & 15th), where I’ll be wearing my editor’s hat (which has a really big feather in it and goes nicely with the shoes) for one panel to discuss SFF non-fiction. Then I’ll be joining in with the “New Writers” panel, with Jon Weir, Tom Pollock and Vincent Holland-Keen – I’m particularly looking forward to this one.

I’ll also be at the Discover Festival in Snibston (May 18th – 20th), where it’s entirely possible I could be wearing a different hat. With or without feather…

*Note: no goldfish were harmed in the making of this blog post.

The Angels Are Coming

Squee!

“Blood & Feathers” just appeared on the list of publisher picks for 2012 over on Fantasy Faction,* where the guys at Solaris said lots of nice things about the book. As in: very nice things. This is both massively exciting and just a teeny bit daunting. Mostly because… well… it sort of brings it home to me that the book suddenly isn’t just me sitting at the computer any longer. It’s honestly, genuinely going to be out there. In the wild. Which is a little intimidating.

So, you know, squee. And wibble. Lots of wibble.

*Yes, that is me in the photo. No, I wouldn’t say that being photogenic was one of my talents.

Building a Book

Solaris security. He is the law.

If you follow me on Twitter, you’ll know that I had an exciting excursion to Oxford last week. (For some reason, I now have a chorus of voices repeating “all the way to Oxford!” in a pseudo-Stardust style. Ah yes: I remember why. I’m a Gaiman-fangirl. That’ll be it. Anyway, moving on.)

I was in Oxford to visit the office of Solaris Books, who will be publishing “Blood & Feathers” next year, and to meet with the editorial team to talk about stuff, nonsense and the book–as well as to discuss some ideas for covers. Was I excited? What do you think?

And, yes, while I was there, I did get a chance to relieve the groaning office bookshelves of a few choice items… I’m doing them a favour, really. Honestly.

Besides, I did take cakes.

Jon Oliver: Captain of the Good Ship Solaris

I feel exceptionally lucky to have landed with the Solaris team; I mean, I already felt incredibly lucky that something I’ve worked so hard on, and which means so much to me, is being published at all–and I keep wondering whether it’s all a bit of a dream, really, and hoping no-one pinches me!

But above and beyond that, I’m very happy to have the opportunity to work with such passionate people who encourage their writers every step of the way–and have so far allowed me to stick my nose into the business left, right and centre.

Take the cover, for instance.

They’ve gone out of their way to involve me in cover art discussions… although, disappointingly, I was told in no uncertain terms that no, a cover featuring a sparkly pink angel-unicorn riding a tentacle-covered tank was not going to cut the mustard with distributors. I’m thinking: maybe for the next one?

*The* Ben Smith: knower of things, keeper of answers; sometime crusher of unicorns.

I was a bit daunted by the prospect of getting involved in the cover. It’s such a big deal these days: how do you come up with a single image to fit an entire book?

And if that whole “picture’s worth a thousand words” thing is true, don’t we need, like, a hundred of them?

Where do you even start (particularly when, like me, you got a C in GCSE Art–which if you’re entirely honest, you’ll admit you only took because it got you out of playing netball for two years)?

Jenni Hill: I could tell you what she's busy editing, but then she'd have to kill you. And me. *Messily*.

Thus far, though, unicorn/tank issues aside (seriously. I’m having that on something. It’s genius) everyone has been amazing: providing exactly the right combination of hand-patting and “don’t-be-so-bloody-stupid”-ing.

Possibly the most surreal moment of the afternoon came when it dawned on me that I was sitting with a group of people who had all read my book. All of them. And–apparently–rather liked it. Not only that, but suddenly it struck me that it wasn’t just mine any more–it was theirs too.

I had a bit of a wibble then, and had to hang on to the edge of my chair so I didn’t fall off.

The mellifluous David Moore: easily recognisable from the Abaddon & Solaris Podcast (or, if you were there, FCon 2010's metal karaoke...)

I had a good poke around the office, and we talked about the books they’re working on at the moment (I’m desperate to read one in particular: Gaie Sebold‘s “Babylon Steel“, due out in January next year) as well as The Actual Business Of Publishing, about which it turns out I know absolutely nothing.

Then they let me loose on the bookshelves…

It’s a nice feeling, this. I could get used to it.

By the way, I should point out that some of the Solaris team will be at Fantasycon at the end of this month, and they’ll be holding a special event on the Saturday afternoon (2 – 3pm in the Royal Albion’s Regency Lounge). Come along, say hello and pick up a book or two. I should warn you: I might well be there, but don’t let that put you off.

If you’re London-based, too, next Tuesday (September 27th) sees the launch of the latest Solaris anthology, “House of Fear” at Foyles on Charing Cross Road. It’s a ticketed event (although tickets are free) so make sure you reserve a spot if you’re thinking of coming.

And, apropos of absolutely nothing at all, here’s an Elliot Minor video. The song? Why, that’d be “Solaris”, of course…

Blood And Feathers

So.

I guess now’s a good time to say that my novel, “Blood & Feathers” has been picked up by the amazing team at Solaris and will be published by them next year.

I’m not sure it’s entirely sunk in yet, but I’m overwhelmed by the lovely messages I’ve been getting on Twitter since it was announced, and incredibly excited to be working with the Solaris guys.

“Blood and Feathers” ended up being a very personal book, and it means a lot to me that it’ll be out there, in the wild, ready to ambush unsuspecting readers.

I warn you, though: it probably doesn’t fight fair…

End of the Line

"End of the Line": Solaris books. Artwork by Luke Preece

Last night, I headed off to the launch of Solaris Books “End of the Line” anthology: a collection of horror stories set on the Underground (and the Metro, and the New York subway… but you get the idea).

It was an interesting evening: Jon Oliver chaired a small panel consisting of Christopher Fowler, Pat Cadigan & Adam Nevill, all of whom feature in the collection. There was talk of why going underground is scary – for Adam, it’s the clautrophobia, the confusion and the packed-in flesh. For Pat, it’s the idea of being buried alive, of descending into an untimely tomb; while for Chris, the Tube was such a part of his childhood that he can’t bring himself to fear it – although he’s not terribly keen on the sliding flood doors. (I’m with him on that, actually. I remember seeing a few of those when I first came to London in 1998, but now I come to think about it, I’ve not noticed one for years. Maybe they’re all gone – or maybe they’re just not obvious enough to make you notice them and immediately think “OhmigodI’mgoingtodie!”)

There was a brief discussion, too, of the Underground in movies: Creep, Death Line and Control being the notable mentions, along with An American Werewolf in London. There was a small signing, where we had another classic Lou-fail (note: must learn to stop presenting my book at signing tables with a cheery: “Hi! I’m Lou!”. It only ever ends in, “Well, that’s nice for you,” from a slightly bemused and wrist-weary author – this time, Christopher Fowler, although he did go on to tell me how big the new Superdry store in One New Change is, so I may not have broken him entirely. This is good, as despite having used “Disturbia” as a virtual guide to London when I moved here, I’ve not long discovered the Bryant & May series, and would kind of like to see how that pans out…) and then on to the Phoenix Artist Club for drinks.

These things always remind me how absolutely right the decision to go to WHC in Brighton in March was. I went there alone, knowing no-one, but it served as the most incredible introduction to a group of people who are – individually and collectively – genuinely lovely. I had a great time – I was only sorry I had to leave as early as I did, as I’d have loved to stay longer and talk more (you know me. Talking. It’s what I do. A lot).

As it was, I contented myself with having a good read on the train on the way home (note #2: best not to read horror stories set on any kind of railway while you’re sitting alone in a train carriage with slightly dodgy lights. It’s not good for the nerves).

Thanks to the Solaris team – Jon, Jenni and Dave, all of whom are most excellent people – for a great book and a great launch. And if you’re looking for something to read on the commute (and your boss doesn’t mind if you arrive in the office a bit pale & in need of a stiff drink) you could do worse than look this one up.

Round the…

Can’t talk. Have just come home from a 2-hour driving lesson on roundabouts. I could barely even unclench my fingers from round the steering wheel, so forming sentences is a bit of a challenge. I never realised quite how many roundabouts there were round the outside of Epsom racecourse–nor how much fun they are to go round. In the dark. And the fog.

Fog?! Yes, fog. And I’m sitting there, thinking, “You’re kidding, right?” Apparently, neither my driving instructor nor Mister Weathermaker were.

Anyway. To ease my troubled mind, I’ve found me some new gin. Sipsmith’s, specifically, which I’ve been hankering after for months. And it’s sloe gin (so much easier to catch than the normal, quick kind…). I’m not being worthy like Mark Charan Newton, who is making his own–too impatient, me–but dear me, if anything’s going to shake off the driving lesson jitters, this’ll be it.

Two things. First: if you’re in London and you’re not coming to the launch of Solaris’s “End of the Line” anthology tomorrow night, why aren’t you? There are contributions from brilliant authors, and it looks great. As far as I know, tickets are almost sold-out, but there’s still one or two available–so look alive & get in touch with Foyles to reserve your spot.

Second: I saw a trailer for Chico & Rita the other day, and it looks like it’s worth investigating. It’s all jazz and Cuba and… stuff.

Groovy.

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