Splinters of Souls

bookshelves

I was having a conversation about books (no surprise there) on Twitter over the weekend, and it veered into the amount of money it’s possible to spend on them when you really get going – and how that compares to, say, a designer handbag. I said, rather glibly, that I’d much rather go book shopping than handbag shopping… and then I started to wonder why.

Let’s start with the obvious. I’m not that fussed about expensive bags or shoes as trophies. They just don’t do much for me. I have one decent handbag, which was a gift (and which I do love. So much so that when it got damaged in the Apple Juice Incident of 2012 – details of which I’m not at liberty to divulge – I might have got a little bit sniffly and uttered the immortal cry of: “This is why I can’t have nice things…”. But moving swiftly on.) and which I use a lot. But I only really need the one good one, don’t I? After all, any others would just sit in a cupboard when they’re not being used. Alone. And, knowing my luck, slowly sinking into a puddle of juice. Christ.

But books don’t do that. I looked around my house, and I saw books. Not as many as I used to have, admittedly: I gave away boxes and boxes of them before we moved. But still, books. And because I straight-out alphabetise them (alas, I haven’t the patience for Dewey), there are books rubbing spines that you wouldn’t necessarily think of as natural companions. John Connolly and Jilly Cooper, for instance… whereas Joe and Will Hill seem like easy shelf-mates. (Me? Oh, I’m next to Erin Morgenstern… and within striking distance of the Michael Marshall/Smiths…)

The thing is, I can see them. And more than that, I remember them. Every time I look at those shelves, I’m not just seeing books. I’m seeing memories.

There, right at the start, is my mother’s collection of Judy Astley books, and her copy of Sam Shepard’s short stories which I know she only bought because she had a thing for him (and rightly so) but which are astonishingly good.

There’s the battered old copy of Joanne Harris’s Chocolat, which I’ve read and re-read every Easter since it was published. On the shelf in the bedroom, there’s the copy of How to Live in a Science Fictional Universe which I was reading when my mother died and which made me cry when I reached the last page. There’s the Lud In The Mist I nicked from my parents’ bookshelves when I was little because I liked the cover. The 3 volumes of The Lord of the Rings: Fellowship‘s by far the most battered, and actually falls open at the first appearance of Strider (what?).

There’s my beloved copy of Only Forward, signed at the very first convention I ever went to, in Brighton. There’s Chris Fowler’s Disturbia: a book I’ve had since I don’t even remember when, and which I used as a sort of unofficial guide book to London when I moved there for university.

Books by my friends, books by people I’ve never met and most likely never will. Well. Be difficult with Dickens, wouldn’t it?

Books that have made me laugh, books that have made me cry and books that break my heart.

And when I look at those books, I realise why I’d rather have them than a bunch of handbags.

They are memories; pieces not just of their authors’ souls, snapshots of them as they wrote, but pieces of mine.

I remember the first time I read some of them. I remember the times I’ve re-read some of them – and left between their pages like a pressed flower or a leaf or grains of sand from a holiday, there are slivers of my own soul. Versions of me, be they from one, ten or twenty years ago. Who I was when I picked up that book for the first time; who I’ve been since.

There’s a famous Jean Cocteau quote, beloved of cat owners – myself included – that cats are the visible soul of a house.

Perhaps books, whether tidily stacked or jostling for space and piled one on top of each other, are the visible soul of their owner.

World Book Day

As you’ll doubtless be aware, today is World Book Day.

A whole day, all about books. (You can probably imagine just how happy this concept makes me.) 

To celebrate, here’s a list of a few books I’ve either read & enjoyed recently, or have on my “Readmereadmereadme!” pile, all of which come heartily recommended.

Gillian Flynn: Gone Girl

Will Hill: the Department 19 series (as a bonus, there’s a D19 story available as part of the World Book Day YA app…)

Warren Ellis: Gun Machine

James Smythe: The Explorer

Laura Lam: Pantomime

Kim Curran: Shift

Cressida Cowell: the How to Train Your Dragon series.

 

And on the “Read me very soon” pile…

Tanya Byrne: Heart Shaped Bruise

Gaie Sebold: Dangerous Gifts

Emma Newman: Between Two Thorns

 

Any and all of these books will repay your love with their stories, their characters and their worlds.

Happy reading!

(By the way, if you want to keep track of what I’m reading this year, I’m trying to keep a record of every book over on my Pinterest board. It’s a really good idea – which needless to say I’ve nicked from someone else, because it’s far too clever for me…)

On Editors

Yes, I’m supposed to be working on the edits to BLOOD AND FEATHERS: REBELLION.

I’m supposed to be working on them right now. Naturally, this means I feel a sudden urge to blog, to do the ironing, to go and dig the garden… to do anything other than open that file.

It’s not that I don’t like editing – I do. It’s the part of the process where you can not just see the book you wrote getting better; you can feel it. Deep down.

You have perspective, which makes it easier to cut that half-scene which seemed so very important a couple of months ago and now appears to be utterly redundant. You’ve also, y’know, actually finished the whole book – which means you know what it was you were trying to say and what you want the Whole Of The Thing to be about (which isn’t necessarily the case while you’re in the middle of writing it).

You also have that most invaluable of things: an editor’s voice in your ear.

That changes everything.

Mostly, in my case, it makes me want to kick furniture as I wander around feeling stupid for a while because of course he’s right. How could I not see that [this bit] would be much better [there], and that I’ve already said [that] over [here] and my god, whatever was I thinking when I came up with that sentence?!

Editors make books better, no doubt. They also make authors better. They work extremely hard and they have the near-impossible job of making a writer sound like the best version of themselves – without ever losing what it is that makes them “themselves”.

They are the reader’s proxy and first line of defence: making sure that the book that finally gets out; the book that someone spends their money on, is the best it can be – whether it’s literary fiction or chick-lit or a commercial thriller or SFF or a non-fiction book on manhole covers.

They are the writer’s last line of defence: sitting at a desk with a red pen (literally or metaphorically), listening and nodding as their author details exactly how they’re going to do something incredibly stupid, before raising an eyebrow and saying in the most measured of tones: “Are you quite sure you want to do that…?”

Editors are the warm, beating heart of publishing. Readers and writers would both be far worse off without them.

Show them some love.

And yes, I suppose I’d better go and do my edits now. Before my last line of defence throws something heavy at me…

The Nice List

My WordPress dashboard is snowing. That can only mean one thing: it must be nearly Christmas.

Look, I can’t help it – and if you think that’s a bad way of judging the start of the holiday season, you should meet Other Half. He declares it to be officially Christmas when one of his online forums puts up the twinkly fairy lights gif around the border of the page. So, you know…

Anyway. Christmas is rolling towards us like a tinsel-strewn juggernaut, and this means it’s prime festive shopping season. Ever helpful, I’ve come up with a couple of suggestions for gifts for those really difficult people to buy for. I warn you: these are, largely, Things What My Friends Have Made – but you shouldn’t let their questionable judgement in hanging around with me put you off. Everything on this list is awesome, and would make an amazing present – and frankly, if you can’t plug your mates’ stuff on your blog, then where can you do it?

So, without further ado, I present (see what I did there?)…

THE NICE LIST

(for the sake of simplicity, the majority of these links are Amazon physical ones. Feel free to sub in the physical / ebook retailer of your choice….)

 - For action junkies:

SHIFT – Kim Curran

DEPARTMENT 19: THE RISING – Will Hill

Scott Tyler and Jamie Carpenter are, between them, as average as your average teenage boy gets. Except they aren’t… because as you soon discover if you pick up either of these two books, Scott has the power to change any decision he’s ever made and Jamie’s a vampire hunter with a secret government department. Gory, gripping and action-packed, these books are brilliantly paced and plotted. And if you can’t choose between them… why not pick both?

 

 - For Doomsday Preppers:

THE TESTIMONY – James Smythe

Let me tell you a story about this book (in which a blast of static is heard by almost everyone on the planet, followed by a voice. Is it God? Is it aliens? Is it a mass hallucination..?). I took this on holiday with me earlier this year, and it was the last book I read before heading home. I was sitting in the airport at the Seychelles, which is a tiny little thing, at around midnight, waiting for my flight to be called and reading the last couple of chapters of THE TESTIMONY. There were one or two people already in the departure hall, but we were the last flight out for the night so it was pretty quiet.

And then someone, somewhere, leaned on a button and switched on the PA. There was a burst of deafening white noise… and nothing else.

Not that it mattered, because by that time I had dropped my book and hidden under the departure lounge seating.

That’s how good this book is.

It’s complicated, twisty… and utterly terrifying.

 

 - For Western fans & short story addicts: 

A TOWN CALLED PANDEMONIUM – Jurassic Press

I’ve been involved in the Pandemonium project (one of my stories appeared in the apocalypse-themed anthology, now out of print) but this one’s a different animal altogether. A shared-world, weird Western anthology with some of my favourite writers involved, it will transport you to a town with secrets, tragedies and horrors. So what are you waiting for? Saddle up…

 

For urban explorers:

THE CITY’S SON – Tom Pollock

Urban explorers know that cities have a life of their own – and London is no exception. But you’ve never imagined it quite like this. Tom Pollock gives you a version of London where street lights come to life, where the ghosts of trains ride the rails and where the building sites scarring the surface of the city lay the foundations for something sinister…

One part urban fantasy, one part New Weird, one part utterly itself, read this and you’ll never look at the city in the same way again.

 

 - For art buffs:

Vincent Chong prints

Nominated for a World Fantasy Award last year, Vincent Chong has produced book covers for Stephen King, Joe Hill and China Mieville among others, as well as illustrating collector’s editions of some incredible novels (I have a copy of THE CLUB DUMAS, which is one of my favourite books and is probably the most expensive copy of a novel I’ve ever bought!). I have a bunch of his prints, including one (predictably, I guess) of a fallen angel, and they’re beautiful.  Also, I have this as my desktop right now, because I love it.

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So there you go. Yes, they’re all my friends – and I’m utterly unapologetic about recommending their work, because every single one of them is immensely talented. You won’t go wrong with any of them.

 

Join the rebellion…

This won’t be news to most, admittedly, but it still makes me happy.

I’m delighted to announce that Solaris Books have picked up the follow-up to BLOOD & FEATHERS.

The next book: BLOOD & FEATHERS: REBELLION will be published in August 2013.

The full press release is over on the Solaris blog.

So, um, yeah.

Am I happy-dancing?

Just a bit…

Lizards & baseball & witches. Oh my.

I said I’d do a catch-up kind of post, didn’t I? Best laid plans and all that.

Have a picture of a lizard, by way of apology.

That’s admittedly not the one which fell on my head while I was on holiday – but I can assure you that one did. It made a sort of rubbery, splatty noise, and I’m not sure which one of us was more startled. We both went on to make a full recovery.

And yes. I went on holiday. To what I can only describe as a version of the Lost island without the Others or the Smoke Monster.

Sadly, no Sawyer either. Boo. I know. I was as disappointed as you are.

What it did have, though, was a lot of sunshine – and a proper beach and a ridiculously clear sea: the kind you always imagine is made up. (Put it this way: the sea around Brighton Pier doesn’t look quite like that, more’s the pity…)

We were staying on the wrong side of the island to see the sunset (this place is a nature reserve, with only a small village of about 130 people all of whom are involved in protecting the biodiversity of the the island, and a hotel – the rooms spread along the beach in individual villas) but the skies were still pretty impressive.

You can see the next island to the north in that photo.

I basically had to be removed from the porch of the hotel kicking, screaming and shouting “I don’t want to leeeeeave!” at the end of the holiday. Because I didn’t. I could’ve stayed there forever, especially given my joy at discovering there’s nothing about Creole food I don’t like.

Also, my poor husband had to put up with me merrily singing the Red Dwarf theme most mornings at breakfast, from behind a glass of mango juice. Because I am an enormous geek.

Anyway. The important bit is what I read while I was there – which boiled down to the second and third books of The Dark Tower (yes, I still love Roland. Hush now), The Art of Fielding, Hollow Pike and The Testimony.

The Dark Tower books need no introduction – and nor does my response to them – so I’ll leave it at saying my devotion to the series and the characters is still going strong… and I’m onto book 4.

I’d been looking forward to “The Art of Fielding” for a while. It’s a little-known fact that I’m actually a fan of baseball. I don’t follow it much these days, so I haven’t the faintest idea what’s going on or who’s who, but I used to be crazy about it when I was in my early teens, and your first loves leave a lasting impression. (Chicago White Sox, thanks for asking. I know, I know.) So imagine my joy: a baseball novel which requires me to bring nothing in terms of knowledge to the table other than the slightly iffy, second-hand snippets I managed to glean half a lifetime ago, and have largely forgotten… and my affection. Because the book’s not about baseball at all. Well – that’s an overstatement. It is about baseball, but it’s also about hope and despair and family and relationships and friendships and ambition and… things.

I think we rather take this kind of novel for granted in the genre world: we tend to expect that yes, Book A says it’s about dragons, but technically, it’s about the War on Terror. Or something. We expect books to be metaphorical, to a degree. But that’s another story – literally.

Another of my holiday reads was “Hollow Pike” by James Dawson, which I absolutely flew through. It’s a pacy YA book involving witches and the creepy local woods, and it’s really quite unsettling at times. It’s also tremendous fun, and has some great characters and a lot of atmosphere. Also, I want to live in the house that Lis, the protagonist, moves to. Preferably without all the nightmares and the murder and stuff, though. Just saying.

“The Testimony” took me longer, partly because the narrative structure’s more challenging. As the title implies, it’s a testimony – different people all telling their version of the same event – the burst of static and a voice which is heard by (almost) all of humanity one day – and what comes after. I’ve always been a sucker for a big-scale disaster movie (things like The Towering Inferno) and in a lot of ways, that’s what “The Testimony” reminded me of as it wove different characters and plot threads together. It’s fantastic. And terrifying, in the best possible way.

Any of those books, if you’re looking for some holiday reading, will see you right. Although if you’re reading book 2 of The Dark Tower, I advise you give the seafood a miss (I’ll be regarding lobster with a slightly cautious eye for a while, I think), and if you give “The Testimony” a whirl, you may well find yourself freaking out when someone accidentally switches on the PA in the airport and transmits a load of white noise. Hypothetically speaking. Because I totally didn’t freak out. Not a bit. Uh-uh. Nope.

God help me if I have to go through a forest any time soon…

The Blurbs

I’ve not talked about the blurbs we’ve had in for BLOOD & FEATHERS yet – mainly because I can’t quite believe them and have to stop and pinch myself every time I start. But I figure I’m going to have to stop pinching soon, because my arm’s getting kind of sore, so.

Anyway, for your very delectation, here they are – and I’m so grateful to all the lovely people who took the time to read the book and to give us a few words…

“A hell of a ride, but heaven to read: eerie, compelling and very funny.” -Michael Marshall Smith

“It’s a challenge to take concepts older than the calendar and make them seem new. Louise Morgan has done just that. How to describe this, her debut novel?  Bloody Heavenly!”- Guy Adams

“Dark, enticing and so sharp the pages could cut you, Blood and Feathers is a must-read for any fan of the genre.”- Sarah Pinborough

“A storming debut! Lou Morgan writes with confidence, style and verve. Who would have thought that going to Hell could be so much fun? A must read.”  - Mike Shevdon

“Dark, surreal and wickedly funny, Lou Morgan’s reimagining of the war between Heaven and Hell mixes angels, alcohol and ammunition to serve up a joy of a read.” - Tom Pollock

World Book Night

I’m one of the book givers for this year’s World Book Night: I’ll be giving out copies of John Ajvide Lindqvist’s Let The Right One In, somewhere in Brighton.

I’ve got 24 copies, all neatly stacked up and ready to go. Each is labelled with a unique reference number, so if you get one (and this applies to any of the WBN books, anywhere in the UK) do go and register it on the website – it’s a bit like BookCrossing; the idea being to follow the books as they get passed on from one person to the next. I rather like the idea – and somehow, with vampire books, where themes are often contagion and transmission, it feels even more appropriate.

“Let The Right One In” is a vampire story, or it’s a coming-of-age story, or it’s a love story. Or it’s all three. It’s a story about abuse, and about friendship, and about fear and about freedom. It’s horrific and haunting and oddly sweet and beautiful. Whether you’ve seen one of the two recent adaptations of it, or whether you’ve never heard of it before… once you’ve read it, you’ll never forget it.

As an experiment, by the way, in one of the copies I’ve been given, I’ve hidden a quote from the classic Bela Lugosi version of “Dracula” on one of the pages. If you happen to find it, let me know what I’ve written (and which page it’s written on) either via the blog or Twitter. A quick tip: this is the book’s WBN insert page.

Look out for mini-Vlad in the corner, and you’ll know you’re in the right copy…

Happy feeding… sorry: *reading*!

Alt.Fiction 2012

So, Alt.Fiction happened. 

And it was good. No, seriously good.

While some worried about the unfortunate sandwich effect created by Eastercon and the start of the LBF, it didn’t seem to have caused too many problems: there was a great atmosphere and a good attendance (a little too good, in some cases – but more of that later).

I got to Leicester on Friday night, having met up with Will Hill, Tom Pollock and Lizzie Barrett on the way, and we collectively endured the most stressful train journey I think I’ve ever had… (a big “nul points” to the grumpy woman who caused a big fuss about her seat in our carriage) but it was fine. Honestly. Fine.

Friday evening saw a bit of socialising and an impromptu cinema trip, and then it was all about Alt.Fiction.

The 10am SFF non-fiction panel which I was on along with Tom, and Anne Perry of Pornokitsch, had a slight hiccup when our moderator was delayed – but Jared Shurin heroically stepped in with only a few minutes’ warning. It ended up being a very interesting discussion covering everything from the importance of research in fiction (and whether there’s such a thing as too much of it), to reviews and the responsibility of reviewers in how they handle issues like subtext, via steampunk, Jules Verne, hard SF, Werner Herzog and alternate histories.

As an aside, if anyone who was there wants to read the Michael Marshall Smith story I mentioned towards the end, it’s called “The Good Listener”, and you can find it here. There’s also a podcast of it here.

My next panel was “New Writers”, along with Tom Pollock (again. I like panels with him, because he uses big words and says terribly clever insightful things, so as long as he always speaks first I can just nod and sagely say, “Yeah. What Tom said….”) and Emma Newman and Vincent Holland-Keen. We were ably wrangled by Jon Weir, who was fantastic and made us all look like we knew what we were doing. No small feat, in my case.

The panels I went to were interesting: by far and away my favourite was the panel on comics which was as engaging as it was entertaining, and very good indeed. I was particularly impressed by Emma Vieceli – and even more so by her art! Her book is absolutely gorgeous, and although I’ve only just had time to flip through it I’m very much looking forward to reading it properly. You should all go out and buy it immediately.

The genre television panel was slightly frustrating in that it got very caught up in the technical aspects of programming, as opposed to discussion as viewers. I would have liked to see more debate about solid, long-running genre shows like Buffy or BSG or Supernatural or Dark Shadows (particularly the latter, given that Adam Christopher was on the panel) but was very taken with Alasdair Stuart’s ideas about “parachuting” cast members of existing shows into franchised versions in different countries.

Saturday evening involved an absolutely lovely dinner where I laughed so hard I actually cried and had a huge amount of fun, then drinks in the hotel bar, which were just the right level of noisy and silly. Sunday was a quieter day, with people drifting off to panels or towards home with the usual resolutions to do nothing but sleep for a week.

Everyone always says it’s the people who make conventions a good or bad experience, and this one doubly proved that. The whole atmosphere was so easy-going that everyone relaxed. The layout of the venue also meant that everyone was (largely) in the same space – although arguably some of the panels were in the wrong rooms: the smallest room always had more people trying to get in than could, while several of the panels in the larger rooms had relatively few attendees. Name tags would have been nice, too, as would some more volunteers to keep participants organised – but these are minor niggles and easily corrected next time around.

And yes: there will be a next time around. Alt.Fiction 2013 has already been announced; tentatively scheduled for the third weekend in May next year. It’s already in my diary…

Huge thanks, of course, go to everyone involved in organising the weekend: it was a big success, and rightly so.

And thanks to the people who made the weekend so memorable for me – in no particular order: Tom Pollock, Lizzie Barrett, Will Hill, Andrew Reid, Paul Cornell, Tom Hunter, Adam Christopher, Alasdair Stuart, Jon Weir, Nadine Holmes, Tom Fletcher, Anne Lyle, Marie O’Regan, Paul Kane and a lot more people I just know I’ve left out….

British Fantasy Awards: voting now open

In case you hadn’t noticed – which by now, I highly doubt (but that’s me – always late to the party) – voting for the British Fantasy Society’s annual awards, the British Fantasy Awards, is now open.

This year sees an overhauled system with a view to creating more interesting and relevant awards: one which nominees are genuinely excited to be shortlisted for, and which the eventual winners feel proud to be taking home.

We want people to care about these awards. We want them to reflect the passion that so many of you have for genre literature – whether you come down on the horror or the fantasy side of the fence; whether your thing’s major publisher or independent press… or whether you love all of the above.

We want it to mean something when a book wins a BFA: we want it to be seen as an endorsement of quality, voted for by readers, writers, editors… anyone who loves genre.

We can’t do it without you.

Without your votes.

Without you shouting for the books you’ve loved; the books you think deserve it.

You don’t have to have read every single book out there. You don’t have to have read every genre book published in the last year. You don’t even have to have an opinion on every award category. All we’re asking is that you recommend a couple of books. That’s it.

You can recommend three things in each category (ideally giving us as many details, like publisher, as you can – it makes our lives easier and helps the team check that your recommendation is valid). You don’t have to recommend three, though: one recommendation in one category is enough, if that’s all you want to include. It still counts.

Don’t tell me you’ve not read at least one genre book in the last year that you think is worth nominating – I simply won’t believe you.

You will need to be a member of the BFS (or a member of FantasyCon 2011 or FantasyCon 2012) to be eligible to vote. If you don’t already fall into one of those categories, why not join the BFS? Or get your membership to FCon 2012 – I can guarantee you’ll have a great time.

And if you are already eligible, go and vote. Now. Use your voice. Thank the writers, the editors, the artists, the publishers… everyone involved in making the books, the stories, the art you’ve enjoyed over the last year.

This is your chance to champion them. Don’t waste it.

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